Hidden Gems of Early Golden Era Music
Dr. George Sawa
Join Dr. George Sawa and learn about three rare musical pieces from the early golden era that he’s selected especially for dancers!
Egypt’s Mohammad Ali Street musicians produced beautiful, sophisticated music specifically for dancers. Unfortunately, the names of some composers have been lost to history but fortunately, their music has been passed down through generations, from musician to musician. Dr. Sawa will unpack the musical motifs, rhythms, structure and lyrical meanings of three of these musical treasures so we can better approach them as dancers.
In this talk, you will learn…
- A historical overview of Mohammad Ali Street in the early Golden Era
- The musical rondo form through one of our selected pieces
- An exemplary piece with exciting rhythmic diversity
- The different types of taqsims
- A very early piece with rich musical meaning and dialogue
Don’t miss this wonderful opportunity as Dr. Sawa shares his wealth of
musical, historical and cultural knowledge with us!
JOIN ONLINE LIVE with Q & A Session!
Sunday, June 19th
12 PM PDT / 3 PM EDT
+ 30 Days Streaming Access!
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Dr. Sawa on Politics & Power in Egyptian Music
About our presenter…
Dr. George Sawa
George Sawa was born in Alexandria, Egypt. He studied qanun, theory and voice at the Higher Institute of Arabic Music. After immigrating to Canada, he studied ethnomusicology at the University of Toronto, and obtained his doctorate in historical Arabic musicology. He has taught graduate and undergraduate courses on medieval, modern ,and religious music of the Middle East at the University of Toronto and at York University. He is the author of Music Performance Practice in the Early Abbasid Era, 732-320 AH/750-932 AD and Theories of Rhythms in Arabic Writings, 750-950 AD (The Institute of Mediaeval Music, Ottawa, 2004 and 2009). He has published many articles on Arabic music in refereed journals and encyclopedias, and is frequently invited to give lectures and concerts worldwide. In 2005 he received the prestigious Lifetime Achievement Award from the Egyptian Ministry of Culture for his research in Arabic music history. George has been the musical director for several productions of the Toronto-based Arabesque Dance Company, and has taught dancers at the Arabesque Academy and Hannan’s Bellydance Studio in Toronto. His CD, The Art of the Early Egyptian Qanun, Vol. 7,was nominated for a JUNO Award in World Music in 2009. A subsequent volume, The Art of the Early Egyptian Qanun, Vol. 2, was released in 2009. In the two CDs accompanying the present volume, George plays qanun, semsemeyya, rababa, nay, salameyya, arghul, tar and mazhar.