fbpx

Blog

Your mother told you to stand up straight. Your dance instructor reminds you to check your posture.  Thanks to your erector spinae muscles you can do these things! The erector spinae is actually a muscle group made up of many smaller muscles and tendons that attach them to your bones. The erector spinae group begins at your sacrum, the back portion of your illiac crest (hip bone) and your lumbar vertebrae at the lower back.
Bellydance, Bellydance Anatomy, Bellydance Practice Tips, Teaching Bellydance, Training & Fitness for Dancers
Although I readily confess that my heart belongs to classic Arabic music, even I get a craving  for the lively energy of Turkish belly dance music now and then. And 9/8… that is a delicacy all its own in my book! When “Nasrah” by the Huseyin Turkmenler Ensemble found its way into my hands, I was very pleased with it’s mix of performance tracks, teaching tracks and soul-stirring 9/8s. Let’s have a virtual listen together….
Bellydance, Bellydance Music, Teaching Bellydance
Al-Ahram Orchestra’s “The Essence of Bellydance” was released in 2008. In the years that I’ve had it, I have returned to its tracks over and over for both performing and teaching, so I thought I’d let you get to know it if you aren’t familiar with this versatile CD already. Overall, the album has a modern Egyptian sound with lots of keyboard, complex melodies and well-placed accents. Several of these songs really are staples on
Bellydance, Bellydance Music, Bellydance Music Reviews, Teaching Bellydance
Last week I got an email from a local dancer asking about performance contracts and what to include in one. I’ll admit I was uncomfortable with contracts when I first started to do private gigs. Some part of me felt it was a gesture of distrust toward my client, but twelve years and several hundred parties later, I wouldn’t do a private gig without one.  I’ve come to realize that it’s just a document of
Bellydance, The Business of Bellydance   , , , , , , ,
Multi-level classes have a lot of advantages for students, and present a few challenges for instructors, but personally, I   love teaching  this way!  For the student at any level, it allows them to move forward with new material on the skills they have mastered and take their time to improve those they are still working on. As we move from one movement or combo to the next, there are always options – provided the instructor
Bellydance, Bellydance Practice Tips, Teaching Bellydance, Zills, Sagat and FingerCymbals